"MACHINES EXISTED BEFORE MECHANISATION. HERO OF ALEXANDRIA'S MACHINES WERE INEFFICIENT; THEIR PRIME PURPOSE WAS TO IMPRESS THE OBSERVER."
- "THE ARCHITECTURAL OBJECT STRAINS UNDER THE BURDEN OF ITS RESPONSIBILITY TO EXPRESS MEANING THROUGH FORMAL REPRESENTATION."
- MECHANISED AND MORPHING FORMS THAT AREN'T NECESSARILY EFFICIENT. CONSISTENTLY TRANSFORMING AND EVOLVING "BREAKING DETERMINISTIC EXPECTATIONS"... DELAY THE URGE TO GENERATE FORM IN ORDER TO EXPLORE THE DYNAMIC AND FLUID POTENTIAL THAT EMERGES.
- EXTEND THE IDEA OF GLORIFYING THE ORDINARY AND UGLY, WHILE IMPRESSING THE OBSERVER.
- JUXTAPOSING REAL TIME, OR THE PACE OF TIME AS SUGGESTED BY THE SOUND TRACK, WITH THE SLOWER PACED "PICTURESQUE JOURNEY THAT FREELY EXPLORES THE MOVING AND CHANGING DETAILS AND FORMS... " " WISTFUL GAZES ON UNTOUCHABLE OBJECTS."
- MANIPULATION OF THE 3 DIMENSIONAL SO THAT IT CONFORMS TO A FLICKERING 2 DIMENSIONAL IMAGE.
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